{"id":49532,"date":"2026-10-21T10:08:34","date_gmt":"2026-10-21T08:08:34","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/marta-sniady\/"},"modified":"2026-10-21T10:08:34","modified_gmt":"2026-10-21T08:08:34","slug":"marta-sniady","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/marta-sniady\/","title":{"rendered":"Composing with Audio-Visual Objects<\/i>, Marta \u015aniady"},"content":{"rendered":"

Entr\u00e9e libre dans la limite des places disponibles.<\/strong><\/p>\n

Attention, cette conf\u00e9rence sera pr\u00e9sent\u00e9e en anglais<\/h3>\n

Invit\u00e9e du Forum ByPass #12 \u2014 Automne \u00e0 Varsovie<\/a> pr\u00e9sent\u00e9 par \u00e9Ole<\/a> \u00e0 Toulouse du 18 au 28 novembre 2026, la jeune compositrice polonaise Marta \u015aniady<\/a> appartient \u00e0 cette nouvelle g\u00e9n\u00e9ration de cr\u00e9atrices et cr\u00e9ateurs qui entrelacent les champs artistiques de la musique, de la vid\u00e9o, de la performance. Chaque \u0153uvre est l’occasion d’un croisement mais aussi d’un questionnement de ces pratiques. Chaque \u0153uvre est aussi v\u00e9cue comme une exp\u00e9rience sensorielle sp\u00e9cifique.<\/p>\n

\u00c0 l’occasion de La Folle Nuit Acousmatique<\/em><\/a> qui se tiendra au Lieu NEUFNEUF<\/a> le samedi 28 novembre \u00e0 partir de 18h30, au cours de laquelle seront donn\u00e9es quatre de ses \u0153uvres, Marta \u015aniady viendra pr\u00e9senter son travail \u00e0 l’isdaT le 26 novembre. Une conf\u00e9rence con\u00e7ue pour celles et ceux qui souhaitent explorer de nouvelles strat\u00e9gies de composition dans le travail avec le multim\u00e9dia. Une exp\u00e9rience pr\u00e9alable dans le domaine des arts multim\u00e9dias peut \u00eatre un atout, mais n\u2019est pas n\u00e9cessaire pour participer.<\/p>\n

\n

Programme<\/h3>\n

I. Composer avec des objets audiovisuels \u2014 la composition r\u00e9f\u00e9rentielle<\/h4>\n

Dans Composing with Audio-Visual Objects<\/em>, Marta \u015aniady repense la composition comme un dialogue entre son, image et geste. Ses \u0153uvres transforment des symboles culturels et des clich\u00e9s m\u00e9diatiques en critiques po\u00e9tiques de la beaut\u00e9, de la consommation et de l\u2019identit\u00e9 \u00e0 l\u2019\u00e8re post-num\u00e9rique.<\/p>\n

\u0152uvres : In the Pink, Probably the Most Beautiful Music in the World, I Will Always Be There for You \u2013 Sorry \u2013 Believe, Soft Music for Sensitive Gals.<\/em><\/p>\n

II. Travailler avec des artistes plasticiens et cr\u00e9er de nouveaux instruments<\/h4>\n

Cette conf\u00e9rence explore la rencontre cr\u00e9ative entre compositeurs et artistes visuels, l\u00e0 o\u00f9 le son rencontre la forme et o\u00f9 la mati\u00e8re devient musique. \u00c0 travers des projets collaboratifs et la construction d\u2019instruments sur mesure, les participants d\u00e9couvrent comment le dialogue artistique et l\u2019exp\u00e9rimentation peuvent \u00e9largir la notion m\u00eame d\u2019instrument de musique \u2014 et celle de geste musical.<\/p>\n

\u0152uvres : Body X Ultra \u2013 Limited Edition, Body X Ultra \u2013 Under the Skin<\/em> (pr\u00e9voir un smartphone et des \u00e9couteurs bluetooth pour profiter d’une immersion sonore \u00e0 360\u00b0).<\/p>\n

\n

Compositrice, Marta \u015aniady<\/a> envisage la musique comme un espace de communication sociale et comme un pont entre le son et les autres formes d\u2019art. Son travail articule des dimensions de corpor\u00e9it\u00e9, de technologie, de f\u00e9minisme et de rituel, \u00e0 travers l\u2019usage de l\u2019\u00e9lectronique et la cr\u00e9ation d\u2019espaces performatifs et visuels. Ses recherches s\u2019int\u00e9ressent notamment \u00e0 la fragilit\u00e9 du corps, aux limites de l\u2019intervention technologique sur l\u2019organisme humain, ainsi qu\u2019aux relations entre nature et artefact. Son cycle r\u00e9cent, Body X Ultra<\/em>, se d\u00e9ploie sous de multiples formes \u2014 des installations performatives (Limited Edition, Under the Skin<\/em>) aux environnements immersifs en 3D (VR Edition, Artificial Nature<\/em>), en passant par des projets audiovisuels. Pour Glass Edition<\/em>, la compositrice a fait appel aux instruments en verre uniques de Kalina Ba\u0144ka-Kulka, qui conf\u00e8rent \u00e0 l\u2019\u0153uvre une symbolique particuli\u00e8re de la transparence et de la fragilit\u00e9 du corps humain.<\/p>\n

Les \u0153uvres de Marta \u015aniady ont \u00e9t\u00e9 pr\u00e9sent\u00e9es dans de nombreux festivals internationaux, parmi lesquels Warsaw Autumn, Sacrum Profanum, Musica Electronica Nova, Klang Festival et Heroines of Sound. Elles ont \u00e9t\u00e9 interpr\u00e9t\u00e9es par des ensembles tels qu\u2019Ensemble Garage, Sp\u00f3\u0142dzielnia Muzyczna, London Sinfonietta et Black Page Orchestra. Depuis 2017, elle fait partie du comit\u00e9 de programmation du festival Warsaw Autumn. Elle enseigne \u00e0 l\u2019Acad\u00e9mie de musique Gra\u017cyna et Kiejstut Bacewicz de \u0141\u00f3d\u017a. Entre \u0141\u00f3d\u017a et Wroc\u0142aw, elle poursuit le d\u00e9veloppement d\u2019un langage artistique singulier, o\u00f9 musique, arts visuels et technologie se fondent en des formes radicales de narration et d\u2019\u00e9coute incarn\u00e9e.<\/p>\n","protected":false},"excerpt":{"rendered":"

Entr\u00e9e libre dans la limite des places disponibles. Attention, cette conf\u00e9rence sera pr\u00e9sent\u00e9e en anglais Invit\u00e9e du Forum ByPass #12 \u2014 Automne \u00e0 Varsovie pr\u00e9sent\u00e9 par \u00e9Ole \u00e0 Toulouse du 18 au 28 novembre 2026, la jeune compositrice polonaise Marta \u015aniady appartient \u00e0 cette nouvelle g\u00e9n\u00e9ration de cr\u00e9atrices et cr\u00e9ateurs qui entrelacent les champs artistiques […]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[89],"tags":[58],"class_list":["post-49532","post","type-post","status-publish","format-standard","hentry","category-music-en","tag-lecture-en"],"acf":[],"yoast_head":"\nComposing with Audio-Visual Objects, Marta \u015aniady • isdaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isdat.fr\/en\/programmation\/marta-sniady\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Composing with Audio-Visual Objects, Marta \u015aniady • isdaT\" \/>\n<meta property=\"og:description\" content=\"Entr\u00e9e libre dans la limite des places disponibles. 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