{"id":49387,"date":"2026-10-07T09:28:38","date_gmt":"2026-10-07T07:28:38","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/atelier-notation-benesh\/"},"modified":"2026-10-14T10:26:54","modified_gmt":"2026-10-14T08:26:54","slug":"atelier-notation-benesh","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/atelier-notation-benesh\/","title":{"rendered":"Notation Benesh avec Juliette Franbourg"},"content":{"rendered":"

R\u00e9serv\u00e9 aux \u00e9tudiant\u00b7es en DE danse ann\u00e9e 1<\/strong><\/p>\n

\u00c0 travers cette intervention, il s\u2019agira de venir explorer dans un premier temps les diff\u00e9rents types de notation de la danse, avant d\u2019entrer plus profond\u00e9ment dans le syst\u00e8me d\u2019\u00e9criture Benesh. En parcourant diff\u00e9rents extraits de r\u00e9pertoire not\u00e9s dans ce syst\u00e8me, nous en tirerons les grands enjeux de la composition et des clefs d\u2019observation autour des principes de la danse : temps, espace, corps, dynamique. Comment ces outils peuvent aussi nous aider \u00e0 \u00e9crire et se souvenir de ce que nous dansons. Nous travaillerons autour des partitions penses-b\u00eates (“idiot sheet”) et comment celles-ci peuvent soutenir notre travail de danseur\u00b7ses et\/ou professeur\u00b7es de danse.<\/p>\n

\n

Juliette Franbourg se forme d\u2019abord au conservatoire en danse contemporaine, puis se dirige vers les RIDC o\u00f9 elle obtient son dipl\u00f4me d\u2019\u00c9tat de professeure de danse contemporaine. C\u2019est durant cette p\u00e9riode qu\u2019elle commence ses \u00e9tudes en Notation du mouvement Benesh au CNSMD de Paris, elle obtient son dipl\u00f4me en septembre 2025. Elle finalise ses \u00e9tudes avec la formation Extensions au CDCN de Toulouse o\u00f9 elle collaborera ensuite avec Jordi Gali de la cie Arrangement Provisoire. Juliette travaille aujourd\u2019hui comme danseuse pour Balkis Moutashar<\/a>, Arthur Perole<\/a>, Fabien Perret<\/a> ou encore la compagnie APOU<\/a>. Elle est \u00e9galement assistante chor\u00e9graphique pour la compagnie Suspecte<\/a>. Son travail d\u2019interpr\u00e8te est tout le temps crois\u00e9 avec son travail d\u2019enseignante pour enfants et adultes au sein de diff\u00e9rentes structures.<\/p>\n","protected":false},"excerpt":{"rendered":"

R\u00e9serv\u00e9 aux \u00e9tudiant\u00b7es en DE danse ann\u00e9e 1 \u00c0 travers cette intervention, il s\u2019agira de venir explorer dans un premier temps les diff\u00e9rents types de notation de la danse, avant d\u2019entrer plus profond\u00e9ment dans le syst\u00e8me d\u2019\u00e9criture Benesh. En parcourant diff\u00e9rents extraits de r\u00e9pertoire not\u00e9s dans ce syst\u00e8me, nous en tirerons les grands enjeux de […]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[88],"tags":[136],"class_list":["post-49387","post","type-post","status-publish","format-standard","hentry","category-dance-en","tag-atelier-en"],"acf":[],"yoast_head":"\nNotation Benesh avec Juliette Franbourg • isdaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isdat.fr\/en\/programmation\/atelier-notation-benesh\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Notation Benesh avec Juliette Franbourg • isdaT\" \/>\n<meta property=\"og:description\" content=\"R\u00e9serv\u00e9 aux \u00e9tudiant\u00b7es en DE danse ann\u00e9e 1 \u00c0 travers cette intervention, il s\u2019agira de venir explorer dans un premier temps les diff\u00e9rents types de notation de la danse, avant d\u2019entrer plus profond\u00e9ment dans le syst\u00e8me d\u2019\u00e9criture Benesh. 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