{"id":46976,"date":"2025-10-24T17:11:54","date_gmt":"2025-10-24T15:11:54","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/chantier-copyleft\/"},"modified":"2025-11-04T11:52:06","modified_gmt":"2025-11-04T09:52:06","slug":"chantier-copyleft","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/chantier-copyleft\/","title":{"rendered":"Chantier Copyleft"},"content":{"rendered":"

Temps d\u2019\u00e9change collectif lors de la cl\u00f4ture du chantier samedi 8 novembre entre 14h et 16h<\/strong><\/h3>\n

Les Abattoirs invitent les \u00e9tudiantes et \u00e9tudiants de l\u2019ESAD Pyr\u00e9n\u00e9es et de l\u2019isdaT pour un chantier de cr\u00e9ation \u00e9ph\u00e9m\u00e8re en dialogue avec les collections<\/h4>\n

Chantier Copyleft<\/em> est un projet \u00e9labor\u00e9 en collaboration avec l\u2019\u00c9cole sup\u00e9rieure d\u2019art et de design des Pyr\u00e9n\u00e9es<\/a>, et l\u2019institut sup\u00e9rieur des arts et du design de Toulouse, dans le cadre du programme “Gestes. Arts et savoir-faire en Occitanie”. Faisant du geste artistique en action son sujet central, l\u2019espace d\u2019accueil des Abattoirs, Mus\u00e9e \u2014 Frac Occitanie Toulouse<\/a> accueillera pendant quatre jours une trentaine d\u2019\u00e9tudiants et \u00e9tudiantes des deux \u00e9coles d\u2019art.<\/p>\n

Dans une dynamique de chantier collectif et ouvert, le groupe exp\u00e9rimentera la cr\u00e9ation de formes plastiques in situ<\/em>, \u00e0 partir d\u2019un unique mat\u00e9riau : la terre crue. Les formes model\u00e9es na\u00eetront au contact des collections, des expositions, de l\u2019architecture, des \u00e9quipes et des personnes de passage au mus\u00e9e \u2014 Frac, dans une invention en temps r\u00e9el, attentive aux interactions et aux impr\u00e9vus. En particulier, les \u00e9tudiantes et \u00e9tudiants s\u2019inspireront des formes glan\u00e9es parmi les espaces et les \u0153uvres des collections des Abattoirs, suivant la logique du “copyleft”.<\/p>\n

Parfois traduit comme “gauche d\u2019auteur” ou “copie laiss\u00e9e”, ce terme forg\u00e9 dans les ann\u00e9es 1980 est un jeu de mot faisant r\u00e9f\u00e9rence au “copyright” qui prot\u00e8ge le droit d\u2019auteur et emp\u00eache la copie. \u00c0 l\u2019inverse, le copyleft ouvre la possibilit\u00e9 de copier, utiliser, \u00e9tudier, modifier ou diss\u00e9miner l\u2019\u0153uvre \u00e0 sa guise, en libert\u00e9. Le projet Chantier Copyleft<\/em> reprend l\u2019esprit cr\u00e9atif et joueur de la culture hacker pour faire naitre d\u2019autres regards, et peut-\u00eatre m\u00eame d\u2019autres usages, autour des collections et du lieu m\u00eame des Abattoirs. Les copies des \u0153uvres se feront en mobilisant une multitude de gestes (modeler, tourner, pr\u00e9former, lisser, d\u00e9tailler, coller, assembler, boudiner, aplanir, tremper, m\u00e9langer, monter\u2026). Au fil des jours, une seconde “collection”, \u00e9ph\u00e9m\u00e8re, \u00e9mergera de la terre dans l\u2019espace temporaire du chantier. Le mat\u00e9riau argileux, mall\u00e9able, permet de d\u00e9border des lignes et de remodeler les fronti\u00e8res entre art et artisanat, entre domaine patrimonial, art contemporain et pratique amateure.<\/p>\n

De multiples rencontres se croisent ainsi dans cette proposition : celle de deux \u00e9coles et des Abattoirs, celle des artistes-\u00e9tudiants avec les collections, celle des Abattoirs avec le chantier, ou encore celles des visiteuses et visiteurs avec les artistes au travail, pour constituer ensemble une cr\u00e9ation collective, un faire-en-commun. Invitant \u00e0 consid\u00e9rer le mus\u00e9e \u2014 Frac comme un espace mouvant en constante red\u00e9finition, Chantier Copyleft<\/em> incarne cette \u00e9nergie partag\u00e9e : celle d\u2019une terre en mutation, d\u2019un faire-en-commun et d\u2019un art qui s\u2019invente dans l\u2019\u00e9change, le flux et l\u2019impr\u00e9visible.<\/p>\n

\n

Avec les \u00e9tudiant\u00b7es de l’isdaT : Pauline Sune, Zo\u00e9 Desebbe, Lylia Moussamih-Dispot, Xinyue Ma, Floriane Mezaz, D\u00e1rio Pedrosa dos Santos, Juliette Berger, Clo\u00e9 Vidal Champetier, Anastasiia Yatsko, Anita Camardese, Lina Sire, Louise Desplanque, Romane Juret, Pradnampetch Kanokanak, Sara Kadem, Anastasiia Rauss et Chuqian Ruan, accompagn\u00e9\u00b7es de leurs enseignant\u00b7es Stephen Marsden, Serge Provost et Sarah Holveck.<\/p>\n","protected":false},"excerpt":{"rendered":"

Temps d\u2019\u00e9change collectif lors de la cl\u00f4ture du chantier samedi 8 novembre entre 14h et 16h Les Abattoirs invitent les \u00e9tudiantes et \u00e9tudiants de l\u2019ESAD Pyr\u00e9n\u00e9es et de l\u2019isdaT pour un chantier de cr\u00e9ation \u00e9ph\u00e9m\u00e8re en dialogue avec les collections Chantier Copyleft est un projet \u00e9labor\u00e9 en collaboration avec l\u2019\u00c9cole sup\u00e9rieure d\u2019art et de design […]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78,82],"tags":[5,54],"class_list":["post-46976","post","type-post","status-publish","format-standard","hentry","category-art","category-art-en","tag-workshop","tag-workshop-en"],"acf":[],"yoast_head":"\nChantier Copyleft • isdaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, 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