{"id":43334,"date":"2024-09-11T16:37:29","date_gmt":"2024-09-11T14:37:29","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/riverrun-8\/"},"modified":"2024-10-08T13:58:13","modified_gmt":"2024-10-08T11:58:13","slug":"riverrun-8","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/riverrun-8\/","title":{"rendered":"Cl\u00e9ment Vercelletto + Anna Holveck + The Great Learning \/ Festival riverrun #8"},"content":{"rendered":"

Entr\u00e9e libre. \u00c9v\u00e8nement en partenariat avec Les \u00c9l\u00e9ments, L\u2019Arpa Occitanie<\/a>, l\u2019ADDA du Tarn<\/a>, l’isdaT, le GMEA<\/a> et le centre d\u2019art Le Lait<\/a>.<\/p>\n

riverrun, festival d\u2019exp\u00e9riences musicales, cherche \u00e0 nous faire entendre le monde d\u2019aujourd\u2019hui qui r\u00e9sonne, avec fracas ou \u00e0 bas bruit, parle, chante, crie, chuchote, jusque dans ses silences<\/h3>\n

Pour cette 8e<\/sup> \u00e9dition organis\u00e9e \u00e0 Albi du 3 au 13 octobre 2024, les propositions passent par une \u00e9glise, des th\u00e9\u00e2tres, une galerie, un mus\u00e9e, une for\u00eat ou un temple ; nous emm\u00e8nent au cin\u00e9ma, convoquent orgue, cabrette, de longues cordes tendues, des instruments \u00e9lectroniques et acoustiques et de nombreuses voix ; des solos, des ensembles, un ch\u0153ur \u00e9ph\u00e9m\u00e8re, et une s\u00e9rie de performances o\u00f9 c\u2019est le public qui est invit\u00e9 \u00e0 musiquer.<\/p>\n

\n

Cl\u00e9ment Vercelletto<\/h3>\n

L\u2019Engoulevent<\/strong><\/em>
\nEntre sculpture et instrument de musique autonome, L\u2019Engoulevent<\/em> se compose d\u2019un sommier d\u2019orgue portatif de 24 sorties contr\u00f4l\u00e9es via une interface MIDI. Avec ce projet, Cl\u00e9ment Vercelletto propose une musique r\u00e9p\u00e9titive et contrast\u00e9e prenant racine dans le courant minimaliste am\u00e9ricain des ann\u00e9es 1960.<\/p>\n

\n

Anna Holveck<\/h3>\n

Fugues<\/strong><\/em>
\nAnna Holveck avec un groupe d\u2019\u00e9tudiant\u00b7es et dipl\u00f4m\u00e9\u00b7es de l\u2019isdaT : L\u00e9o Ahumada, Pedro De Albuquerque, elso dewever stragiotti, Louna Faure, Pierre-cassandre Gilles, Yuliia Kazhuk, Lou Magnan, Antoine Pascal-Bonhoure et Margaux Sahut.<\/p>\n

Dans Fugues<\/em>, les timbres des voix fuguent de visages en visages, la composition fuit et les bouches tentent d\u2019en rattraper les harmoniques.
\nDans le cadre de la r\u00e9sidence crois\u00e9e entre le centre d\u2019art Le Lait et le GMEA, Centre National de Cr\u00e9ation Musicale d\u2019Albi, Anna Holveck a mont\u00e9 un laboratoire de performance avec une dizaine d\u2019\u00e9tudiant\u00b7es et dipl\u00f4m\u00e9\u00b7es de l\u2019isdaT. Ce laboratoire se pense comme un atelier collectif de pratique et de mise en partage, o\u00f9 chacun\u00b7e peut exp\u00e9rimenter des formes performatives et sonores \u00e0 partir de la multitude des corps et des voix en pr\u00e9sence.<\/p>\n

And if that mocking bird don\u2019t sing<\/strong><\/em>
\nPi\u00e8ce sonore enregistr\u00e9e et voix live : Anna Holveck.<\/p>\n

Dans And if that mocking bird don\u2019t sing<\/em>, un ensemble d\u2019enceintes d\u00e9pareill\u00e9es jouent une composition polyphonique \u00e0 partir d\u2019enregistrements de berceuses d\u2019une cinquantaine de personnes aux langues maternelles vari\u00e9es. L\u2019orchestre d\u2019enceintes est redoubl\u00e9 d\u2019une voix acoustique qui trace en live un chemin d\u2019\u00e9coute \u00e0 travers le montage fixe de la multitude des voix. Ces berceuses s\u2019entrem\u00ealent les unes aux autres par capillarit\u00e9 de timbres, d\u2019harmonies, de rythmes et d\u2019accidents.<\/p>\n

\n

Cornelius Cardew<\/h3>\n

The Great Learning \u00a77<\/strong><\/em>
\nFigure majeure de la musique exp\u00e9rimentale britannique, Cornelius Cardew a compos\u00e9 au d\u00e9but des ann\u00e9es 70 une \u0153uvre monumentale, The Great Learning<\/em>, pour un grand nombre de participants\u00b7es amateurs\u00b7rices. Dans le dernier mouvement (\u00a77), une multitude de voix convergent progressivement \u00e0 partir de principes d\u2019\u00e9coute et d\u2019imitation.<\/p>\n","protected":false},"excerpt":{"rendered":"

Entr\u00e9e libre. \u00c9v\u00e8nement en partenariat avec Les \u00c9l\u00e9ments, L\u2019Arpa Occitanie, l\u2019ADDA du Tarn, l’isdaT, le GMEA et le centre d\u2019art Le Lait. riverrun, festival d\u2019exp\u00e9riences musicales, cherche \u00e0 nous faire entendre le monde d\u2019aujourd\u2019hui qui r\u00e9sonne, avec fracas ou \u00e0 bas bruit, parle, chante, crie, chuchote, jusque dans ses silences Pour cette 8e \u00e9dition organis\u00e9e […]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78,82],"tags":[10,144],"class_list":["post-43334","post","type-post","status-publish","format-standard","hentry","category-art","category-art-en","tag-evenement","tag-evenement-en"],"acf":[],"yoast_head":"\nCl\u00e9ment Vercelletto + Anna Holveck + The Great Learning \/ Festival riverrun #8 • isdaT<\/title>\n<meta name=\"robots\" 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