{"id":41469,"date":"2024-01-16T11:20:31","date_gmt":"2024-01-16T09:20:31","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/stage-eat-contemporain-2024\/"},"modified":"2024-01-16T11:49:50","modified_gmt":"2024-01-16T09:49:50","slug":"stage-eat-contemporain-2024","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/stage-eat-contemporain-2024\/","title":{"rendered":"Transmission de la variation impos\u00e9e de l’EAT option danse contemporaine n\u00b014"},"content":{"rendered":"

Dans le cadre de la formation professionnelle continue musique & danse<\/a>.<\/p>\n

Inscription possible jusqu\u2019au 9 f\u00e9vrier 2024. L\u2019inscription \u00e0 la journ\u00e9e de stage est compl\u00e8te apr\u00e8s r\u00e8glement des frais (prise en charge employeur ou financement personnel) cf. fiche d\u2019inscription<\/a>.<\/p>\n

Dur\u00e9e
\n<\/strong>10 heures
\nLundi 12 f\u00e9vrier et mardi 13 f\u00e9vrier 2024 de 10h \u00e0 12h et de 13h \u00e0 16h<\/p>\n

Public vis\u00e9
\n<\/strong>Stage ouvert aux candidat\u00b7es pr\u00e9parant la variation impos\u00e9e danse contemporaine de l\u2019EAT<\/a>, professeur\u00b7es et formateur\u00b7trices.<\/p>\n

Tarif
\n<\/strong>240\u20ac (avec prise en charge)
\n180\u20ac (financement personnel)<\/p>\n

\n

Contenu<\/h3>\n

Approfondissement de la variation impos\u00e9e option danse contemporaine unisexe n\u00b014<\/a>. Les stagiaires auront en amont m\u00e9moris\u00e9 la variation pour travailler les d\u00e9tails techniques et l\u2019interpr\u00e9tation avec la chor\u00e9graphe.<\/p>\n

\n

Formatrice<\/h3>\n

Apr\u00e8s avoir termin\u00e9 sa formation au Centre national de danse contemporaine d\u2019Angers, Marion Ballester entame une carri\u00e8re de danseuse en 1989 avec Dominique Petit (Les le\u00e7ons de l\u2019Aube<\/em>) puis avec Philippe Decoufl\u00e9 de 1989 \u00e0 1992. Elle rejoint aussit\u00f4t la compagnie Anne-Teresa De Keersmaeker \u2013 Rosas o\u00f9 elle participe \u00e0 toutes les cr\u00e9ations et reprises du r\u00e9pertoire. Qualifi\u00e9e de “danseuse phare de la compagnie” selon Marie-Christine Vernay dans Le Monde, elle y reste jusqu\u2019en 1998. Elle d\u00e9cide alors de fonder la compagnie Aoxoa, et entame un travail de chor\u00e9graphe, jusqu\u2019en 2013 parall\u00e8lement \u00e0 une carri\u00e8re de danseuse ind\u00e9pendante avec de nombreux chor\u00e9graphes (Lionel Hoche, Mathilde Monnier, Philippe Saire, St\u00e9phanie Aubin). Elle part dix-huit mois \u00e0 New York \u00e9tudier aupr\u00e8s de la compagnie Trisha Brown et y cr\u00e9\u00e9 un premier solo Blue Mathematics<\/em> (Judson Church). \u00c0 son retour, elle obtient le dipl\u00f4me d\u2019\u00c9tat de professeur de danse contemporaine en 2000.<\/p>\n

Pendant 13 ans, Marion Ballester enseigne aux compagnies, aux \u00e9coles sup\u00e9rieures ou encore dans le cadre de l\u2019entrainement r\u00e9gulier du danseur (ERD), ou de stages internationaux\u2026 Elle ne cesse d\u2019approfondir et de poursuivre une pratique de p\u00e9dagogue aupr\u00e8s de diff\u00e9rents publics professionnels et amateurs. En parall\u00e8le de l\u2019enseignement s\u2019enchainent alors les cr\u00e9ations : en 2001, solo Intimez-moi<\/em> ; 2002 Bord \u00e0 Bord<\/em>, Convolvulus, Continuum, Fragmentum<\/em>, autre solo. Cette m\u00eame ann\u00e9e, Anne Teresa De Keersmaeker lui propose de l\u2019assister \u00e0 la cr\u00e9ation d\u2019un solo pour elle-m\u00eame, intitul\u00e9 Once<\/em>. La collaboration se poursuit lors de la mise en sc\u00e8ne de l\u2019op\u00e9ra I due Foscari<\/em> de Giuseppe Verdi, puis une nouvelle cr\u00e9ation avec Salva Sanchis et la chor\u00e9graphe intitul\u00e9 Desh, seconde partie de la nuit<\/em>, en 2005. En parall\u00e8le, Aoxoa poursuit son d\u00e9veloppement : Neptune<\/em> s\u2019appuie sur l\u2019oeuvre \u00e9ponyme de Philippe Manoury ; en 2005, Huit<\/em> est une pi\u00e8ce pour la compagnie de Fr\u00e9d\u00e9ric Flamand, le triptyque de soli Trois soli pour Marion<\/em> issu de la rencontre avec trois chor\u00e9graphes aux univers tr\u00e8s diff\u00e9rents.<\/p>\n

R\u00e9guli\u00e8rement, Marion retrouve le compositeur Thierry De Mey pour l\u2019assister dans le cadre d\u2019ateliers de cr\u00e9ations musique et danse. En 2010, Raimund Hoghe l\u2019engage pour une premi\u00e8re cr\u00e9ation, Si je meurs laissez le Balcon ouvert<\/em>, collaboration qui se poursuit jusqu\u2019en 2018 (Cantatas, Quartett, La Valse<\/em>). Elle devient une fid\u00e8le du chor\u00e9graphe et dramaturge.<\/p>\n

Depuis 2013, elle est dipl\u00f4m\u00e9e du Certificat d\u2019aptitude (FDCA Lyon). La m\u00eame ann\u00e9e, elle devient directrice p\u00e9dagogique de l\u2019\u00e9cole sup\u00e9rieure du CNDC d\u2019Angers avant de rejoindre, en septembre 2020, le Conservatoire \u00e0 rayonnement r\u00e9gional de Boulogne-Billancourt o\u00f9 elle occupe la fonction d\u2019adjointe du directeur, coordinatrice et enseignante en danse contemporaine.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans le cadre de la formation professionnelle continue musique & danse. Inscription possible jusqu\u2019au 9 f\u00e9vrier 2024. L\u2019inscription \u00e0 la journ\u00e9e de stage est compl\u00e8te apr\u00e8s r\u00e8glement des frais (prise en charge employeur ou financement personnel) cf. fiche d\u2019inscription. Dur\u00e9e 10 heures Lundi 12 f\u00e9vrier et mardi 13 f\u00e9vrier 2024 de 10h \u00e0 12h et […]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[82,81],"tags":[33,145],"class_list":["post-41469","post","type-post","status-publish","format-standard","hentry","category-art-en","category-danse","tag-stage","tag-stage-en"],"acf":[],"yoast_head":"\nTransmission de la variation impos\u00e9e de l'EAT option danse contemporaine n\u00b014 • isdaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isdat.fr\/en\/programmation\/stage-eat-contemporain-2024\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Transmission de la variation impos\u00e9e de l'EAT option danse contemporaine n\u00b014 • isdaT\" \/>\n<meta property=\"og:description\" content=\"Dans le cadre de la formation professionnelle continue musique & danse. 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