{"id":36280,"date":"2023-01-24T10:59:23","date_gmt":"2023-01-24T08:59:23","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/workshop-marie-bette\/"},"modified":"2023-01-27T15:53:19","modified_gmt":"2023-01-27T13:53:19","slug":"workshop-marie-bette","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/workshop-marie-bette\/","title":{"rendered":"<i>Accrocs<\/i>, Marie Bette"},"content":{"rendered":"<p><strong>Workshop art dans le cadre de la <a href=\"https:\/\/www.isdat.fr\/programmation\/semaine-des-workshops-2023\/\" target=\"_blank\" rel=\"noopener\">semaine des workshops<\/a><br \/>\nOuvert \u00e0 15 \u00e9tudiant\u00b7es en ann\u00e9es 2 et 3 option art<\/strong><\/p>\n<hr \/>\n<p>\u00c0 partir de la lecture d\u2019extraits du livre <em>Jeanne d\u2019Arc<\/em> de Nathalie Quintane et d\u2019autres textes*, Marie Bette propose aux \u00e9tudiant\u00b7es de transposer les situations de perceptions qui y sont d\u00e9crites dans des sculptures. Chacun des textes pr\u00e9sent\u00e9s aborde des questions de sensations corporelles internes pouvant \u00eatre rapproch\u00e9es de questions de sculpture classique : comment les corps qui se coincent dans leur v\u00eatements cr\u00e9ent une torsion, une intrication entre deux mat\u00e9riaux. Quels sont les points de contacts, et les frottements qui en r\u00e9sultent. Comment les mat\u00e9riaux qui composent une pi\u00e8ce s\u2019influencent l\u2019un l\u2019autre. Comment un morceau de corps, une jambe chez Henri Michaux, per\u00e7oit son environnement. Comment le poulpe regarde autour de lui \u00e0 l\u2019aide d\u2019organes lumineux.<\/p>\n<p>C\u2019est par le prisme de ces descriptions que les questions d\u2019accrochage et de sculptures seront abord\u00e9es. Une attention particuli\u00e8re sera port\u00e9e \u00e0 la fa\u00e7on dont les formes tiennent au sol, se posent, se d\u00e9collent des murs. Les \u00e9tudiant\u00b7es seront invit\u00e9\u00b7es \u00e0 penser et fabriquer les syst\u00e8mes d\u2019accroches avant la pi\u00e8ce, laissant ces derniers sugg\u00e9rer les formes et mat\u00e9riaux des pi\u00e8ces \u00e0 venir. Pour cela, une grande vari\u00e9t\u00e9 de mat\u00e9riaux souples et de m\u00e9thodes pour les rigidifier seront propos\u00e9es.<\/p>\n<h4>* R\u00e9f\u00e9rences bibliographiques<\/h4>\n<ul>\n<li><em>Jeanne d\u2019Arc<\/em>, Nathalie Quintane,<\/li>\n<li><em>La dimension cach\u00e9e<\/em>, E.T. Halls,<\/li>\n<li><em>Penser comme un rat<\/em>, Vinciane Despret,<\/li>\n<li><em>Les r\u00eaves et la jambe<\/em>, Henri Michaux,<\/li>\n<li><em>L\u2019histoire de Barbe<\/em> (recueil <em>Que dit l\u2019artiste<\/em>), Tacita Dean,<\/li>\n<li><em>Vampyroteuthis Infernalis<\/em>, Vil\u00e9m Flusser.<\/li>\n<\/ul>\n<h4><em>Penser comme un rat<\/em>, Vinciane Despret, Versailles, \u00e9ditions Quae, 2009, page 35.<\/h4>\n<p>Le rat dessine, marque, impr\u00e8gne, dans ses muscles et sur sa peau, la carte d\u2019un paysage lat\u00e9ral. Et ce sera la concordance de cette carte avec les sensations qu\u2019il r\u00e9coltera sur la route du retour qui lui indiquera qu\u2019il est sur le bon chemin, et que le nid sera l\u00e0, au lieu pr\u00e9cis o\u00f9 toutes les sensations auront achev\u00e9 de se d\u00e9rouler. Le rapport \u00e0 la trace s\u2019inverse : il ne s\u2019agit plus seulement de &#8220;marquer&#8221; les lieux o\u00f9 l\u2019on passe, comme le font les rats et nombres d\u2019animaux, \u00e9tendant leurs corps aux limites de leurs territoires \u00e0 grands coups de substances odorif\u00e9rantes, il s\u2019agit aussi de se faire marquer par l\u2019espace, lui-m\u00eame organis\u00e9 par le trajet, et d\u2019en incorporer l\u2019organisation.<\/p>\n<h4><em>Les r\u00eaves et la jambe<\/em> (essai philosophique et litt\u00e9raire), Henri Michaux. Premi\u00e8re \u00e9dition 1923. La pl\u00e9iade, \u0153uvres compl\u00e8tes, page 19.<\/h4>\n<p>La jambe est intelligente. Toute chose l\u2019est. Mais elle ne r\u00e9fl\u00e9chit pas comme un homme. Elle r\u00e9fl\u00e9chit comme une jambe.<br \/>\nLa jambe n\u2019est pas b\u00eate, elle ne marchera pas sur de l\u2019huile ou des bulles de savon, elle ne s\u2019essaiera pas \u00e0 faire de la broderie.<br \/>\nLogique de la jambe.<br \/>\nMais la jambe se rendra nue au milieu des s\u00e9nateurs, ou \u00e0 une conf\u00e9rence de suffragettes, ou en propri\u00e9t\u00e9 priv\u00e9e. Le public, le paysage, n\u2019int\u00e9ressent pas la jambe ; cela n\u2019est pas son affaire.<br \/>\nLa logique d\u2019un morceau d\u2019homme est absurdit\u00e9 pour l\u2019homme total.<\/p>\n<hr \/>\n<p>Marie Bette, n\u00e9e en 1988, vit et travaille \u00e0 Paris.\u00a0Dipl\u00f4m\u00e9e de la HEAD Gen\u00e8ve en 2017 et de l\u2019\u00c9cole Nationale Sup\u00e9rieure des Beaux-Arts de Lyon en 2010, Marie Bette travaille en tant que coorganisatrice au sein de l\u2019artist run space <a href=\"http:\/\/paulineperplexe.com\" target=\"_blank\" rel=\"noopener\">Pauline Perplexe<\/a> \u00e0 Arcueil depuis 2017. Sa pratique de sculpture se d\u00e9ploie r\u00e9guli\u00e8rement \u00e0 l\u2019ext\u00e9rieur des lieux d\u2019expositions. En 2019, elle participe \u00e0 la r\u00e9sidence <em>Fieldwork: Marfa<\/em> et obtient une bourse de la Fondation Gandur qui lui permet d\u2019approfondir ses recherches sur la construction en terre crue, en papier et en cire. \u00c0 l\u2019automne 2021, elle prolonge ce travail au sein de la r\u00e9sidence de recherche du centre d\u2019art Les Capucins \u00e0 Embrun. Elle obtient une bourse d\u2019Aide individuelle \u00e0 la cr\u00e9ation de la DRAC \u00cele-de-France la m\u00eame ann\u00e9e pour la publication d\u2019un fanzine autour de la construction en terre crue. En septembre 2021 elle fait partie des laur\u00e9at\u00b7es des Prix d\u2019art Suisses.<\/p>\n<p>Elle participe \u00e0 des expositions collectives : <em>Swiss art awards 2021<\/em> \u00e0 Messe Basel Halle 3, B\u00e2le ; <em>\u00c0 tous ces objets caress\u00e9s d\u2019un peu trop pr\u00e8s<\/em> \u00e0 la galerie MR80 \u00e0 Paris (curatrice Alexandra Fau) ; <em>Super Salon <\/em>\u2014 Paris Internationale (curatrice Claire Le Restif), <em>Talisman<\/em> (curateur Yann Chateign\u00e9) \u00e0 Gen\u00e8ve, <em>Comunit\u00e0 Olivetti<\/em> (curatrice Donatella Bernardi) \u00e0 l\u2019Institut Suisse de Rome, <em>Shake what your mama gave you<\/em> (curatrice Julie Morel) au Centre d\u2019art Passerelles \u00e0 Brest. En 2018, elle pr\u00e9sente une exposition personnelle \u00e0 la Galerie Mezzanin \u00e0 Gen\u00e8ve, <em>Pneumate<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Workshop art dans le cadre de la semaine des workshops Ouvert \u00e0 15 \u00e9tudiant\u00b7es en ann\u00e9es 2 et 3 option art \u00c0 partir de la lecture d\u2019extraits du livre Jeanne d\u2019Arc de Nathalie Quintane et d\u2019autres textes*, Marie Bette propose aux \u00e9tudiant\u00b7es de transposer les situations de perceptions qui y sont d\u00e9crites dans des sculptures. [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78,82],"tags":[5,54],"class_list":["post-36280","post","type-post","status-publish","format-standard","hentry","category-art","category-art-en","tag-workshop","tag-workshop-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Accrocs, Marie Bette &#8226; isdaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isdat.fr\/en\/programmation\/workshop-marie-bette\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Accrocs, Marie Bette &#8226; isdaT\" \/>\n<meta property=\"og:description\" content=\"Workshop art dans le cadre de la semaine des workshops Ouvert \u00e0 15 \u00e9tudiant\u00b7es en ann\u00e9es 2 et 3 option art \u00c0 partir de la lecture d\u2019extraits du livre Jeanne d\u2019Arc de Nathalie Quintane et d\u2019autres textes*, Marie Bette propose aux \u00e9tudiant\u00b7es de transposer les situations de perceptions qui y sont d\u00e9crites dans des sculptures. 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