{"id":34378,"date":"2022-09-21T15:59:48","date_gmt":"2022-09-21T13:59:48","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/maxime-guillon-roi-sans-sac\/"},"modified":"2025-10-21T10:56:30","modified_gmt":"2025-10-21T08:56:30","slug":"maxime-guillon-roi-sans-sac","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/maxime-guillon-roi-sans-sac\/","title":{"rendered":"Maxime Guillon Roi Sans Sac"},"content":{"rendered":"<p><strong>R\u00e9serv\u00e9 aux \u00e9tudiant\u00b7es en DE danse ann\u00e9e 1<\/strong><\/p>\n<p>Pi\u00e8ce de Vaslav Nijinski cr\u00e9\u00e9e le 29 mai 1913, le <em>Sacre du printemps<\/em> provoque scandale et fascination. Elle devient une \u0153uvre majeure de l\u2019histoire de l\u2019art du XX<sup>e<\/sup> si\u00e8cle, et un pivot moderniste pour l\u2019histoire de la danse. En 2014, Dominique Brun propose une recr\u00e9ation au plus proche de la version originale, <em>Sacre #2<\/em>. Durant ces trois jours de stage, nous analyserons le contexte historique de l\u2019\u00e9mergence de cette pi\u00e8ce ainsi que les sp\u00e9cificit\u00e9s chor\u00e9graphiques, anatomiques et musicales qui y sont \u00e0 l\u2019\u0153uvre. Les archives seront un point d\u2019entr\u00e9e performatif afin de comprendre les enjeux d\u2019une reconstitution et ce qu\u2019elles laissent \u00e0 interpr\u00e9ter quand celles-ci viennent \u00e0 manquer.<\/p>\n<hr \/>\n<p>Dipl\u00f4m\u00e9 en Information et Communication, <strong>Maxime Guillon Roi Sans Sac<\/strong> poursuit ses \u00e9tudes en danse contemporaine au sein de la formation Extensions du CDCN de Toulouse Occitanie, puis \u00e0 l\u2019abbaye de Royaumont dans le cadre du Programme de Recherche et de Composition Chor\u00e9graphique. En 2020, il obtient la licence du d\u00e9partement danse de l\u2019universit\u00e9 Paris 8 Vincennes-Saint-Denis. Depuis 2014, il travaille avec la chor\u00e9graphe Dominique Brun, d\u2019abord lors du projet de reconstitution du <em>Sacre du printemps<\/em> (1913) de Vaslav Nijinski et Igor Stravinsky, <em>Sacre #2<\/em>, puis avec la recr\u00e9ation des <em>Noces<\/em> (1923) de Bronislava Nijinska, premi\u00e8re et unique femme chor\u00e9graphe des Ballets russes. D\u2019autres collaborations ponctuent son parcours notamment avec Margot Dorl\u00e9ans (<em>Vert\u00e9br\u00e9s<\/em>), Michel Schweizer (<em>Primitifs<\/em>), Balkis Moutashar (<em>De t\u00eate en cape<\/em>), Marion Muzac (<em>\u00c9treinte(s)<\/em>, <em>Mu<\/em>, <em>Petit B<\/em>) et Alessandro Sciarroni (<em>Dream<\/em>).<\/p>\n<h4>Pr\u00e9c\u00e9dents stages<\/h4>\n<ul>\n<li>Du 23 au 25 octobre 2023<\/li>\n<li>Du 24 au 28 octobre 2022<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>R\u00e9serv\u00e9 aux \u00e9tudiant\u00b7es en DE danse ann\u00e9e 1 Pi\u00e8ce de Vaslav Nijinski cr\u00e9\u00e9e le 29 mai 1913, le Sacre du printemps provoque scandale et fascination. Elle devient une \u0153uvre majeure de l\u2019histoire de l\u2019art du XXe si\u00e8cle, et un pivot moderniste pour l\u2019histoire de la danse. En 2014, Dominique Brun propose une recr\u00e9ation au plus [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[82,81],"tags":[33,145],"class_list":["post-34378","post","type-post","status-publish","format-standard","hentry","category-art-en","category-danse","tag-stage","tag-stage-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.3 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Maxime Guillon Roi Sans Sac &#8226; isdaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isdat.fr\/en\/programmation\/maxime-guillon-roi-sans-sac\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Maxime Guillon Roi Sans Sac &#8226; isdaT\" \/>\n<meta property=\"og:description\" content=\"R\u00e9serv\u00e9 aux \u00e9tudiant\u00b7es en DE danse ann\u00e9e 1 Pi\u00e8ce de Vaslav Nijinski cr\u00e9\u00e9e le 29 mai 1913, le Sacre du printemps provoque scandale et fascination. Elle devient une \u0153uvre majeure de l\u2019histoire de l\u2019art du XXe si\u00e8cle, et un pivot moderniste pour l\u2019histoire de la danse. 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