{"id":29770,"date":"2022-01-14T11:28:16","date_gmt":"2022-01-14T09:28:16","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/stage-eat-contemporain\/"},"modified":"2022-01-20T14:07:14","modified_gmt":"2022-01-20T12:07:14","slug":"stage-eat-contemporain-2022","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/stage-eat-contemporain-2022\/","title":{"rendered":"Transmission de la variation impos\u00e9e de l’EAT option danse contemporaine n\u00b013"},"content":{"rendered":"

Dans le cadre de la formation professionnelle continue musique & danse<\/a>.<\/p>\n

Inscription possible jusqu\u2019au d\u00e9but du stage, le nombre de places sera limit\u00e9 \u00e0 20 personnes. L\u2019inscription \u00e0 la journ\u00e9e de stage est compl\u00e8te apr\u00e8s r\u00e8glement des frais (prise en charge employeur ou financement personnel)\u00a0cf. fiche d\u2019inscription<\/a><\/p>\n

Dur\u00e9e
\n<\/strong>10 heures
\nLundi 28 f\u00e9vrier et mardi 1er<\/sup> mars 2022 de\u00a09h \u00e0 12h et de 13h \u00e0 15h<\/p>\n

Public vis\u00e9
\n<\/strong>Stage ouvert aux candidat\u00b7es pr\u00e9parant la variation impos\u00e9e danse contemporaine de l\u2019EAT, professeur\u00b7es et formateur\u00b7trices.<\/p>\n

Tarif
\n<\/strong>240\u20ac (avec prise en charge)
\n175\u20ac (financement personnel)<\/p>\n

\n

Contenu<\/h3>\n

Approfondissement de la variation impos\u00e9e option danse contemporaine fille n\u00b013. Les stagiaires auront en amont m\u00e9moris\u00e9 la variation pour travailler les d\u00e9tails techniques et l\u2019interpr\u00e9tation avec la chor\u00e9graphe.<\/p>\n

\n

Formatrice<\/h3>\n

Aur\u00e9lie Berland est n\u00e9e en 1985, elle \u00e9tudie la danse contemporaine au CNSMD de Paris dont elle sort dipl\u00f4m\u00e9e en 2006 tout en poursuivant ses \u00e9tudes d\u2019histoire \u00e0 Paris IV. Depuis, elle travaille comme interpr\u00e8te pour diff\u00e9rents chor\u00e9graphes de la sc\u00e8ne contemporaine (Daniel Dobbels de 2006 \u00e0 2013, Christian et Fran\u00e7ois Ben A\u00efm de 2007 \u00e0 2018, Christine G\u00e9rard en 2013 et Nacera Belaza depuis 2013).<\/p>\n

Elle se forme au CNSMD de Paris \u00e0 la Cin\u00e9tographie Laban de 2011 \u00e0 2015 et cr\u00e9e la Compagnie Gramma<\/a> pour d\u00e9velopper les usages des partitions de danse et du syst\u00e8me dans les champs de la transmission, de la recherche et de la cr\u00e9ation. Dans ce cadre, elle reconstruit et transmet du r\u00e9pertoire (Karin Waehner, Doris Humphrey, Martha Graham, Jos\u00e9 Limon, Isadora Duncan, Etienne Decroux, Lucinda Childs, Gundel Eplinius…). Elle enseigne r\u00e9guli\u00e8rement la notation Laban et m\u00e8ne des ateliers autour du r\u00e9pertoire \u00e0 l’Universit\u00e9 de Strasbourg et de Paris VIII, dans le cadre de l’option danse en Lyc\u00e9e, au CNSMD de Paris et au Conservatoire du 1er<\/sup> arrondissement de Paris o\u00f9 elle professeure de culture chor\u00e9graphique depuis septembre 2021.<\/p>\n

Dans ses cr\u00e9ations, elle explore la transformation de partitions existantes avec Pavane\u2026<\/em> (2017), palimpseste de The Moor\u2019s Pavane<\/em> (1949) de Jos\u00e9 Limon. Les Statues meurent aussi<\/em> (2021), d\u00e9ploie la part de cr\u00e9ation dans la reconstruction, en composant des danses “qui auraient pu \u00eatre” \u00e0 partir de p\u00e9dagogies de danse moderne allemande.<\/p>\n","protected":false},"excerpt":{"rendered":"

Dans le cadre de la formation professionnelle continue musique & danse. Inscription possible jusqu\u2019au d\u00e9but du stage, le nombre de places sera limit\u00e9 \u00e0 20 personnes. 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