{"id":23882,"date":"2020-10-27T10:49:32","date_gmt":"2020-10-27T09:49:32","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/workshop-plinta-rekacewicz\/"},"modified":"2025-10-03T14:25:09","modified_gmt":"2025-10-03T12:25:09","slug":"workshop-plinta-rekacewicz","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/workshop-plinta-rekacewicz\/","title":{"rendered":"D\u00e9j\u00e0 vue<\/i>"},"content":{"rendered":"

en visioconf\u00e9rence<\/p>\n

Dans le cadre du projet de recherche Changement d\u2019\u00e9chelle
\n<\/b>R\u00e9serv\u00e9 aux \u00e9tudiant\u00b7es du Studio Les Communs, ouvert aux autres \u00e9tudiant\u00b7es de design suivant le nombre de places.<\/b><\/p>\n

Entre ExistenzMinimum et ExistenzMaximum
\n<\/i><\/b>Ultra Ordinaire, Imke Plinta et Philippe Rekacewicz de Visioncarto ont imagin\u00e9 cette cartographie pour visualiser les syst\u00e8mes et les modes de production face aux d\u00e9bats actuels dans le projet.<\/i><\/p>\n

Pourquoi avoir point\u00e9 ces deux concepts ? Travail diffus obligatoire et informel, cadenc\u00e9 par les outils num\u00e9riques de l\u2019ExistenzMaximum, qui se confronte aux espaces con\u00e7us avec des outils th\u00e9oriques de l\u2019ExistenzMinimum. M\u00eame si les deux approches rel\u00e8vent de la rationalisation des projets, les \u00e9v\u00e9nements actuels mettent en crise cette logique de soci\u00e9t\u00e9 d\u2019un point de vue politique, \u00e9conomique, social et surtout \u00e9cologique. Il se profile plusieurs pistes : entre celles qui continuent et utilisent la strat\u00e9gie du choc pour passer en force, celle des alternatives avec la relance environnementale et celle de remises en question plus profondes, afin de mettre en place un monde plus \u00e9quilibr\u00e9 culturellement, socialement, politiquement, et surtout \u00e9cologiquement.<\/p>\n

Suivre ces d\u00e9bats d\u2019un point de vue du projet est un exercice compliqu\u00e9 ; il n\u2019existe pas d\u2019histoire de la culture du projet. Par culture du projet, nous entendons les outils pratiques et leurs rapports th\u00e9oriques li\u00e9s \u00e0 un contexte et des situations pr\u00e9cises qui construisent les mani\u00e8res de faire d\u2019une \u00e9poque. Il ne s\u2019agit pas d\u2019histoire ou de th\u00e9orie du design, mais bien de l\u2019approche de la praxis du projet et de ses outils.<\/p>\n

Les \u00e9tudiant\u00b7es de l\u2019isdaT ont initi\u00e9 le travail qui sera par la suite propos\u00e9 \u00e0 d\u2019autres comme une \u0153uvre collective.<\/p>\n

\n

Imke Plinta<\/b> est une urbano-graphiste allemande, consultante en design, enseignante et curatrice. Initialement dipl\u00f4m\u00e9e en communication visuelle, puis en culture de design, elle a \u00e9t\u00e9 professeure \u00e0 la HEAD-Gen\u00e8ve et \u00e0 l\u2019ECV-Provence. En 2011, elle co-fonde l\u2019institut Civic City avec Ruedi et Vera Baur, avec qui elle r\u00e9alise de nombreux projets jusqu\u2019en 2015. Depuis, elle travaille avec Giulio Vinaccia comme consultante en design pour l\u2019ONUDI (Organisation des Nations unies pour le d\u00e9veloppement industriel) sur des projets de d\u00e9veloppement local dans l\u2019artisanat en Alg\u00e9rie et Palestine. \u00a0<\/span><\/p>\n

Philippe Rekacewicz<\/b> est g\u00e9ographe, cartographe et information designer. Apr\u00e8s avoir achev\u00e9 ses \u00e9tudes de g\u00e9ographie \u00e0 l\u2019universit\u00e9 de Paris I (Panth\u00e9on-Sorbonne), il devient de 1988 \u00e0 2013, un collaborateur permanent du mensuel fran\u00e7ais LeMonde diplomatique. Depuis janvier 2017, il est chercheur-associ\u00e9 rattach\u00e9 au d\u00e9partement d\u2019anthropologie de l\u2019universit\u00e9 d\u2019Helsinki dans le cadre un programme europ\u00e9en de recherche sur les recompositions socio-\u00e9conomiques dans l\u2019espace m\u00e9diterran\u00e9en (crosslocations). Il “co-anime” \u00e9galement avec Philippe Rivi\u00e8re le site visionscarto.net<\/a> depuis 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"

en visioconf\u00e9rence Dans le cadre du projet de recherche Changement d\u2019\u00e9chelle R\u00e9serv\u00e9 aux \u00e9tudiant\u00b7es du Studio Les Communs, ouvert aux autres \u00e9tudiant\u00b7es de design suivant le nombre de places. Entre ExistenzMinimum et ExistenzMaximum Ultra Ordinaire, Imke Plinta et Philippe Rekacewicz de Visioncarto ont imagin\u00e9 cette cartographie pour visualiser les syst\u00e8mes et les modes de production […]<\/p>\n","protected":false},"author":11,"featured_media":23879,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[79],"tags":[5,54],"class_list":["post-23882","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design","tag-workshop","tag-workshop-en"],"acf":[],"yoast_head":"\nWorkshop design avec Imke Plinta et Philippe Rekacewicz • isdaT<\/title>\n<meta name=\"description\" content=\"Ultra Ordinaire, Imke Plinta et Philippe Rekacewicz de Visioncarto ont imagin\u00e9 cette cartographie pour visualiser les syst\u00e8mes et les modes de production face aux d\u00e9bats actuels dans le projet.\" \/>\n<meta name=\"robots\" content=\"index, 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