{"id":22449,"date":"2020-03-04T09:54:20","date_gmt":"2020-03-04T08:54:20","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/traverse-video-2020\/"},"modified":"2025-10-03T14:26:04","modified_gmt":"2025-10-03T12:26:04","slug":"traverse-video-2020","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/traverse-video-2020\/","title":{"rendered":"Traverse Vid\u00e9o"},"content":{"rendered":"

projections et performances
\nde 14h \u00e0 18h \u2014 amphi B et Mur, site Daurade
\nEntr\u00e9e libre et gratuite.<\/p>\n

Hors-champ \u2013 Hors-cadre : qui regarde\u00a0?<\/em><\/h2>\n

23e<\/sup> rencontres internationales Traverse Vid\u00e9o<\/a><\/h3>\n

L\u2019Apr\u00e8s-midi r\u00e9bus, images et sons, corps en d\u00e9calage travaille contre l\u2019indiff\u00e9rence et active nos projets-d\u00e9sir d\u2019\u0153uvres qui r\u00e9sistent.
\n<\/em>En \u00e9criture diverse, animation dure, faussement na\u00efve ou en traits \u00e9bauch\u00e9s, en collage amus\u00e9 ou en autofilmage, simple ou mis en abyme, portrait image de synth\u00e8se ou pr\u00e9f\u00e9rant des images du monde et de soi dans le monde pour dire son corps autre, en film performatif jouant sur le temps, les films s\u2019inqui\u00e8tent mais m\u00e9nagent aussi des accalmies.<\/p>\n

Ainsi la programmation tisse un r\u00e9seau parfois cruel, accusateur du comportement de l\u2019autre qui ne sait pas voir, qui se perd dans le regard-proth\u00e8se de l\u2019appareil photo au d\u00e9triment de l\u2019\u0153uvre \u00e0 voir voire de se voir. Elle se fait critique contre celui qui refuse l\u2019autre, qui ne sait pas approcher, s\u2019approcher de l\u2019autre voire de soi en optant l\u2019autod\u00e9rision. Mais aussi reconna\u00eet l\u2019invention du r\u00e9cit familial. Elle apporte aussi questionnement d’ “\u00eatre”, la revendication d\u2019\u00eatre diff\u00e9rent, mais sans s\u2019\u00e9loigner des paroles du projet de cr\u00e9ation, du d\u00e9sir \u00e0 faire, du “en train de faire” qui s\u2019av\u00e8re une bulle de bonheur, ou fait \u00e9cho \u00e0 d\u2019autres films pour dire la possibilit\u00e9 d\u2019amour.<\/p>\n

Ce sera le JOUR II de notre marathon, et cet apr\u00e8s-midi, ayant d\u00e9but\u00e9 apr\u00e8s un ap\u00e9ritif-inauguration au Goethe Institut voisin, d\u00e9couvre le Mur#38 et les travaux d\u2019Yineng Lu avant la double s\u00e9ance des films et l\u2019accomplissement en performance. Ainsi des travaux d\u2019\u00e9tudiants de l\u2019isdaT encadrent justement le champ de notre programmation et participent aux rencontres avec les artistes.<\/p>\n

\n

14h : vernissage de Mur#38<\/h3>\n

Temps\/\u00c9t\u00e9\/Br\u00fbler<\/a>,\u00a0<\/em>installation multim\u00e9dia et voiles peints, 2019, Yineng Lu, \u00e9tudiante en ann\u00e9e 3 option art.<\/p>\n

14h15 : projections \u2014 amphi B<\/h3>\n
    \n
  • Lisi Prada, Deriva esc\u00f3pica \/ Pulsion scopique<\/em>, 4min (Espagne)<\/li>\n
  • Giacomo Manzotti, The immortality of the crab<\/em>, 2min20 (Italie)<\/li>\n
  • Myriam Jacob-Allard, Les quatre r\u00e9cits d\u2019Alice<\/em>, 5min30 (France)<\/li>\n
  • Eleni Tomadaki, Why can\u2019t you just see me?<\/em>, 2min42 (Royaume-Uni)<\/li>\n
  • Theresa B\u00fcchner, Die entformte Tochter \/ La Fille d\u00e9moul\u00e9e<\/em>, 9min15 (Allemagne)<\/li>\n
  • Fr\u00e9d\u00e9ric Schuld et Valentin Riedl, Carlotta\u2019s Face \/ Le visage de Carlotta<\/em>, 5min (Allemagne)<\/li>\n
  • Stuart Pound, \u201cValue\u201d : boolean<\/em>, 2min50 (Royaume-Uni)<\/li>\n
  • Anna Spence, SDTOHDUPREZMAXV2 009 MP4<\/em>, 4min16 (\u00c9tats-Unis)<\/li>\n
  • Pierre Merejkowsky, L\u2019\u00c9tat de notre urgence 4<\/em>, 1min55 (France)<\/li>\n
  • Boris du Boullay, Je suis le film que je ne regarde pas<\/em>, 5min59 (France)<\/li>\n
  • Moussa Sarr, \u00c9cho<\/em>, 2min49 (France)<\/li>\n
  • Alicja Kot, Red Light Train<\/em>, 9min36 (Pologne)<\/li>\n
  • Chaerin Im, Flora<\/em>, 4min17 (\u00c9tats-Unis)<\/li>\n
  • Marta Magnuska, The Other<\/em>, 4min47 (\u00c9tats-Unis)<\/li>\n
  • Antonia Luxem, Dearest Degenerate<\/em>, 9min51 (Royaume-Uni)<\/li>\n
  • Marie Dauvern\u00e9, P\u00eacher sous les jupes avec des petits morceaux de pl\u00e2tre<\/em>, 13min05 (Canada)<\/li>\n
  • Slawomir Milewski, smart dress is absolutely essential<\/em>, 7min30 (Royaume-Uni)<\/li>\n
  • Salvatore Insana, APORIA<\/em>, 13min22 (Italie)<\/li>\n
  • Olivia Arthur and Philipp Ebeling, TiChan<\/em>, 9min35 (Royaume-Uni)<\/li>\n
  • Francisco Ruiz de Infante, Carmen \/\/ Shakespeare : Op\u00e9ration Faire le Noir<\/em>, 16min02 (Espagne)<\/li>\n<\/ul>\n

    17h30 : performance\u00a0\u2014 amphi B<\/h3>\n

    Monologue<\/em>, Elo\u00efse Lys, \u00e9tudiante en ann\u00e9e 5 option art.<\/p>\n

    Elo\u00efse Lys, \u00e9tudiante \u00e0 l’isdaT, d\u00e9veloppe une pratique artistique en vid\u00e9o et performance.\u00a0Elle a \u00e9tudi\u00e9 \u00e0 l\u2019Ecole Sup\u00e9rieure des Arts des Pyr\u00e9n\u00e9es \u2013 site de Tarbes jusqu’au DNA.\u00a0Au sein de l\u2019isdaT, elle participe aux soir\u00e9es performances ACDC, ainsi qu\u2019aux workshops performances hors les murs ; \u00e0 La Cuisine, centre d\u2019art de N\u00e8grepelisse et \u00e9galement \u00e0 Lieu Commun-Artist Run Space \u00e0 Toulouse.<\/p>\n","protected":false},"excerpt":{"rendered":"

    projections et performances de 14h \u00e0 18h \u2014 amphi B et Mur, site Daurade Entr\u00e9e libre et gratuite. Hors-champ \u2013 Hors-cadre : qui regarde\u00a0? 23e rencontres internationales Traverse Vid\u00e9o L\u2019Apr\u00e8s-midi r\u00e9bus, images et sons, corps en d\u00e9calage travaille contre l\u2019indiff\u00e9rence et active nos projets-d\u00e9sir d\u2019\u0153uvres qui r\u00e9sistent. En \u00e9criture diverse, animation dure, faussement na\u00efve ou […]<\/p>\n","protected":false},"author":11,"featured_media":22354,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78],"tags":[10,61],"class_list":["post-22449","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-evenement","tag-event-en"],"acf":[],"yoast_head":"\nTraverse Vid\u00e9o • isdaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isdat.fr\/programmation\/traverse-video-2020\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Traverse Vid\u00e9o • isdaT\" \/>\n<meta property=\"og:description\" content=\"projections et performances de 14h \u00e0 18h \u2014 amphi B et Mur, site Daurade Entr\u00e9e libre et gratuite. Hors-champ \u2013 Hors-cadre : qui regarde\u00a0? 23e rencontres internationales Traverse Vid\u00e9o L\u2019Apr\u00e8s-midi r\u00e9bus, images et sons, corps en d\u00e9calage travaille contre l\u2019indiff\u00e9rence et active nos projets-d\u00e9sir d\u2019\u0153uvres qui r\u00e9sistent. 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