{"id":19087,"date":"2019-02-22T13:13:02","date_gmt":"2019-02-22T12:13:02","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/workshop-scriptographie-giraffes-on-horseback-salad-2019\/"},"modified":"2025-10-03T14:37:29","modified_gmt":"2025-10-03T12:37:29","slug":"workshop-scriptographie-giraffes-on-horseback-salad-2019","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/workshop-scriptographie-giraffes-on-horseback-salad-2019\/","title":{"rendered":"<i>Giraffes on Horseback Salad<\/i>, David Coste <br>&#038; J\u00e9r\u00f4me Dupeyrat"},"content":{"rendered":"<p><strong>workshop scriptographie<\/strong><br \/>\n<strong>ann\u00e9e 1 \u2014 20 \u00e9tudiants<br \/>\nsalles 106 &amp; 109, atelier s\u00e9rigraphie<br \/>\n<\/strong><\/p>\n<p><strong>En collaboration avec Val\u00e9rie Vernet.<\/strong><\/p>\n<p>En 1937, Salvador Dal\u00ed imagina un film pour les Marx Brothers. Ce film, connu sous le titre <em>Giraffes on Horseback Salad<\/em> ou <em>The Surrealist Woman<\/em>, ne fut jamais r\u00e9alis\u00e9, mais il en subsiste un synopsis, un sc\u00e9nario en plusieurs versions, ainsi que quelques croquis.<\/p>\n<p>Le workshop aura pour point de d\u00e9part ces documents ainsi qu\u2019un ensemble de ressources visuelles r\u00e9unies autour de ce film inexistant et compil\u00e9es dans une \u00e9dition con\u00e7ue comme la &#8220;bible&#8221; du film ou comme sa version papier. Il s\u2019agira alors d\u2019interpr\u00e9ter les contenus de cette \u00e9dition et de les \u00e9tendre en de multiples directions, dans un aller-retour constant entre le livre et l\u2019espace\u00a0: r\u00e9alisations d\u2019\u00e9l\u00e9ments de d\u00e9cor, productions sonores, storyboards, interpr\u00e9tations \u00e9ditoriales du film et documentation de ce processus.<\/p>\n<p>Sans jamais r\u00e9aliser le film lui-m\u00eame et en le consid\u00e9rant dans sa dimension fictive ou inachev\u00e9e, il s\u2019agira ainsi de d\u00e9placer l\u2019\u00e9criture filmique vers d\u2019autres registres d\u2019expression, en s\u2019interrogeant sur ce que peut \u00eatre une \u00e9criture spatiale et\u00a0\/\u00a0ou \u00e9ditoriale.<\/p>\n<p>Souvent men\u00e9es dans un contexte collectif, les activit\u00e9s de <strong>J\u00e9r\u00f4me Dupeyrat<\/strong> incluent la critique d\u2019art, la recherche et l\u2019enseignement (professeur d\u2019histoire de l\u2019art \u00e0 l\u2019isdaT et membre associ\u00e9 \u00e0 l\u2019\u00e9quipe de recherche &#8220;pratique et th\u00e9orie de l\u2019art contemporain&#8221; \u00e0 l\u2019universit\u00e9 Rennes 2), l\u2019\u00e9dition (&lt;o&gt;\u00a0future\u00a0&lt;o&gt;), le commissariat d\u2019exposition et la programmation (Trois_a), ainsi que la participation \u00e0 des projets artistiques aux c\u00f4t\u00e9s de David Coste, de Brice Domingues et Catherine Guiral (L\u2019agence du doute), et de Laurent Sfar (La Biblioth\u00e8que grise). Ses centres d\u2019int\u00e9r\u00eat portent sur les liens entre art, images, \u00e9dition, m\u00e9dias et p\u00e9dagogie.<\/p>\n<p>La circulation et la r\u00e9-interpr\u00e9tation des images sont au c\u0153ur de la d\u00e9marche artistique de <strong>David Coste<\/strong>, qui se d\u00e9veloppe souvent par la convergence du dessin, de\u00a0la photographie et de l\u2019installation. R\u00e9guli\u00e8rement d\u00e9velopp\u00e9es sur une &#8220;\u00e9chelle architecturale&#8221; monumentale et couvrant des murs entiers, des images de faux paysages sont pr\u00e9sent\u00e9es dans des endroits int\u00e9rieurs et ext\u00e9rieurs sp\u00e9cifiques. Ces \u0153uvres cr\u00e9ent une atmosph\u00e8re irr\u00e9elle, qui rappelle une approche num\u00e9rique contemporaine de trompe l\u2019\u0153il, une oscillation constante entre r\u00e9alit\u00e9 et fiction.<\/p>\n<p>Par ailleurs il collabore r\u00e9guli\u00e8rement avec le compositeur Pierre Jodlowski, Biennale de Musique Contemporaine (Lyon), Integralive08 (Su\u00e8de &amp; Royaume-Uni), Centre d\u2019Art de Taipe\u00ef, Cin\u00e9dance (Montr\u00e9al), avec le designer graphique Gr\u00e9goire Romanet\u00a0: <em>Territoires Intermittents, Une Pi\u00e8ce en Trois Actes<\/em>, et avec J\u00e9r\u00f4me Dupeyrat, notamment pour le livre disque\u00a0<em>Une montagne(s)<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>workshop scriptographie ann\u00e9e 1 \u2014 20 \u00e9tudiants salles 106 &amp; 109, atelier s\u00e9rigraphie En collaboration avec Val\u00e9rie Vernet. En 1937, Salvador Dal\u00ed imagina un film pour les Marx Brothers. Ce film, connu sous le titre Giraffes on Horseback Salad ou The Surrealist Woman, ne fut jamais r\u00e9alis\u00e9, mais il en subsiste un synopsis, un sc\u00e9nario [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":19062,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78],"tags":[5,54],"class_list":["post-19087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-workshop","tag-workshop-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Giraffes on Horseback Salad, David Coste &amp; J\u00e9r\u00f4me Dupeyrat &#8226; isdaT<\/title>\n<meta name=\"description\" content=\"Giraffes on Horseback Salad, un workshop de scriptographie encadr\u00e9 par David Coste &amp; J\u00e9r\u00f4me Dupeyrat, en collaboration avec Val\u00e9rie Vernet\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isdat.fr\/programmation\/workshop-scriptographie-giraffes-on-horseback-salad-2019\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Giraffes on Horseback Salad, David Coste &amp; 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