{"id":18701,"date":"2019-01-31T15:10:52","date_gmt":"2019-01-31T14:10:52","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/workshop-emilie-pitoiset\/"},"modified":"2025-10-03T14:40:58","modified_gmt":"2025-10-03T12:40:58","slug":"workshop-emilie-pitoiset","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/workshop-emilie-pitoiset\/","title":{"rendered":"<i>Pump Up The Jam!<\/i>, \u00c9milie Pitoiset &#038; guests"},"content":{"rendered":"<h3>workshop\u00a0transdisciplinaire<br \/>\nnombre d&#8217;\u00e9tudiants non limit\u00e9 \u2014 Palais des arts<\/h3>\n<p>Workshop ouvert aux \u00e9tudiants beaux-arts et spectacle vivant, toutes ann\u00e9es et options.<\/p>\n<h3>Les injonctions s\u2019acc\u00e9l\u00e8rent aux rythmes\u00a0: <i>Gonna Make You Sweat (Everybody Dance Now), Rhythm <\/i><i>Is A Dancer, Get Up (Before The Night<\/i><i> Is Over)<\/i>&#8230; Le marathon est lanc\u00e9\u00a0! Telle une course contre le sommeil, comment conjurer le sort\u00a0?<\/h3>\n<p>Le workshop <i>Pump Up The Jam!<\/i> portera sur l\u2019analyse de ph\u00e9nom\u00e8nes de pop culture et de subcultures, des ann\u00e9es folles \u00e0 nos jours afin de comprendre l\u2019urgence en temps de crise sociale, \u00e9conomique et politique de produire de nouvelles formes d\u2019existence par la musique et la danse.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<p>Nous prendrons pour mod\u00e8le les f\u00eates du Bauhaus comme un laboratoire de production physique et th\u00e9orique.<span class=\"Apple-converted-space\">\u00a0<\/span><\/p>\n<ul>\n<li>mercredi 20 f\u00e9vrier (matin) : <strong>Juliette Pollet<\/strong>, responsable de la collection d\u2019art plastiques du Cnap dressera un panorama des liens entre la collection du Cnap et les registres du performatif. Traces, archives, promesses : autant de points de n\u00e9gociations entre le vivant et sa conservation.<\/li>\n<li>mercredi 20 f\u00e9vrier (apr\u00e8s-midi) : <strong>Yann Chevallier<\/strong>, directeur du Confort Moderne \u00e0 Poitiers, viendra nous parler de <i>Culture Club<\/i> et de l\u2019exposition <i>Tainted Love : Club Edit<\/i> pr\u00e9sent\u00e9e \u00e0 la villa Arson \u00e0 Nice du 8 f\u00e9vrier au 26 mai 2019 dont il est le commissaire.<\/li>\n<li>jeudi 21 f\u00e9vrier (apr\u00e8s-midi) : intervention d\u2019<strong>Ingrid Luquet-Gad<\/strong>, critique d\u2019art pour Art Press, Les Inrockuptibles.<\/li>\n<\/ul>\n<hr \/>\n<p><a href=\"http:\/\/emiliepitoiset.net\/works\/index.html\" target=\"_blank\" rel=\"noopener\"><b>\u00c9milie Pitoiset<\/b><\/a> (1980, vit et travaille \u00e0 Paris) est artiste et chor\u00e9graphe. De la sculpture \u00e0 l\u2019installation en passant par la vid\u00e9o et la performance, son travail traite de la r\u00e9sistance des corps \u00e0 travers la danse, le clubbing, le sport, la sexualit\u00e9, l\u2019argent\u2026 autant de sympt\u00f4mes ali\u00e9nant et v\u00e9hicules de nos fantasmes.\u00a0En 2002, elle obtient un master 2 en art philosophie \/ esth\u00e9tique \u00e0 Paris 8 et est dipl\u00f4m\u00e9e en 2005 de l\u2019ENSBA \u00e0 Paris. En 2005-2006, elle int\u00e8gre la r\u00e9sidence du Palais de Tokyo\u00a0: Le Pavillon et re\u00e7oit le prix Audi en 2010.<\/p>\n<p>Son travail a \u00e9t\u00e9 pr\u00e9sent\u00e9 dans plusieurs institutions en France et \u00e0 l\u2019\u00e9tranger : Centre Pompidou, Palais de Tokyo, Witte de With, Shirn Museum Frankfurt, Kate Werble Gallery New York, Tai Kwun Contemporary \u00e0 Hong-Kong&#8230;\u00a0Ses \u0153uvres font partie des collections du Centre Pompidou, FNAC, Frac \u00cele-de-France, Frac Champagne Ardenne, Frac Paca, Mus\u00e9e D\u00e9partemental de Rochechouart, AVN Sammlung Vienna, DZ Bank Sammlung Frankfurt, Philara Collection D\u00fcsseldorf, Pinakothek Lenbachhaus Munich.<\/p>\n<p><strong>Yann Chevallier<\/strong> est dj, curateur et directeur du Confort Moderne, une r\u00e9flexion et une pratique singuli\u00e8re qui privil\u00e9gient l\u2019exp\u00e9rience sensible de l\u2019\u0153uvre d\u2019art dans l&#8217;espace et s\u2019articulent autour de la notion de sc\u00e8nes et de familles d\u2019artistes. Sa pratique curatoriale, loin d\u2019\u00eatre la mise en sc\u00e8ne d\u2019elle-m\u00eame, de r\u00e9putations ou de \u00ab questionnements \u00bb, se caract\u00e9rise autant par ses choix d\u2019artistes que par son sens de l\u2019exposition comme \u00e9v\u00e9nement, dans le sens d\u2019une \u00ab promesse de quelque chose qui va se passer \u00bb. Tr\u00e8s proche des artistes, il a permis l\u2019\u00e9mersion d\u2019une sc\u00e8ne unique en France et internationale qui d\u00e9passe \u00e0 la fois le r\u00e9seau g\u00e9ographique, en montant des expositions, mais aussi en faisant se rencontrer des artistes. Il a cr\u00e9\u00e9 une sorte de matrice souple dans laquelle les classements hi\u00e9rarchiques, les effets de mode ou d\u2019\u00e9mergences n\u2019ont pas vraiment leur place, mais qui permet aux pratiques jeunes, aux esth\u00e9tiques \u00ab indie \u00bb et \u00ab outsider \u00bb de coexister avec des plus \u00e9tablies. Il est le seul commissaire en France \u00e0 avoir pr\u00e9sent\u00e9 plus d\u2019expositions monographiques de femmes que d\u2019hommes sans passer par les \u00ab stars \u00bb des quotas de genre : Ann Craven, Rita Ackerman, Georgina Starr, Elke Krystufek, Sarah Braman ou Marianne Vitale, des artistes d\u2019importance majeure dans le paysage international et encore peu connues en France.<\/p>\n<p><strong>Juliette Pollet<\/strong> est conservatrice du patrimoine et responsable de collection au Cnap. Elle a notamment \u00e9labor\u00e9 les expositions <em>Zones de confort<\/em> avec studio GGSV en 2015, <em>Le Grand D\u00e9tournement<\/em> avec David des Moutis en 2017 pour la galerie Poirel \u00e0 Nancy ainsi que <em>Houselife<\/em> en 2016 avec Constance Rubini au Mus\u00e9e des arts d\u00e9coratifs de Bordeaux, ou encore <em>Old Furniture, New Faces<\/em>, avec Martino Gamper au Mobililer National en 2016. Elle a \u00e9galement con\u00e7u la programmation de La nouvelle adresse du Cnap \u00e0 Pantin, en 2018 et celle de <em>Trois fois rien<\/em> au Centre National de la Danse (mars 2019). Elle a assur\u00e9 avec Tony C\u00f4me la direction de l\u2019ouvrage <em>L\u2019id\u00e9e de Confort : une anthologie<\/em>.<\/p>\n<p><strong>Ingrid Luquet-Gad<\/strong> est critique d&#8217;art, responsable de la rubrique art des Inrockuptibles et membre du comit\u00e9 de r\u00e9daction de la revue 02. Apr\u00e8s des \u00e9tudes de philosophie et d&#8217;histoire de l&#8217;art \u00e0 la Freie Universit\u00e4t de Berlin et \u00e0 l&#8217;Universit\u00e9 Paris I Sorbonne, ses recherches se portent sur les processus contemporains d&#8217;individuation et leur impact sur les notions de groupe, de repr\u00e9sentation et de critique.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>workshop\u00a0transdisciplinaire nombre d&#8217;\u00e9tudiants non limit\u00e9 \u2014 Palais des arts Workshop ouvert aux \u00e9tudiants beaux-arts et spectacle vivant, toutes ann\u00e9es et options. Les injonctions s\u2019acc\u00e9l\u00e8rent aux rythmes\u00a0: Gonna Make You Sweat (Everybody Dance Now), Rhythm Is A Dancer, Get Up (Before The Night Is Over)&#8230; Le marathon est lanc\u00e9\u00a0! Telle une course contre le sommeil, comment [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":18637,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78],"tags":[5,54],"class_list":["post-18701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-workshop","tag-workshop-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Pump Up The Jam!, \u00c9milie Pitoiset &amp; guests &#8226; isdaT<\/title>\n<meta name=\"description\" content=\"Workshop sur l\u2019analyse de ph\u00e9nom\u00e8nes de pop culture et de subcultures, des ann\u00e9es folles \u00e0 nos jours, avec \u00c9milie Pitoiset, artiste et chor\u00e9graphe\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isdat.fr\/programmation\/workshop-emilie-pitoiset\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Pump Up The Jam!, \u00c9milie Pitoiset &amp; 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