{"id":18177,"date":"2018-12-11T17:25:40","date_gmt":"2018-12-11T16:25:40","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/conference-philippe-artieres\/"},"modified":"2025-10-03T14:43:34","modified_gmt":"2025-10-03T12:43:34","slug":"conference-philippe-artieres","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/conference-philippe-artieres\/","title":{"rendered":"Les \u00e9critures de la ville<\/i>, Philippe Arti\u00e8res"},"content":{"rendered":"

18h \u2014 amphi A, isdaT beaux-arts<\/p>\n

Depuis la Commune de Paris, grand moment de d\u00e9sordre graphique, les \u00e9critures dans l\u2019espace urbain font l\u2019objet d\u2019une attention sp\u00e9cifique. Du tatouage exhib\u00e9 sur son corps par un passant, aux enseignes des magasins, jusqu\u2019aux mots laiss\u00e9s dans la cage d\u2019escalier, mais aussi en passant par les graffiti, et autres affiches appos\u00e9es sur les murs, l\u2019\u00e9crit est partout. Il compose l\u2019autre grande litt\u00e9rature de notre contemporain. Quelles sont ces \u00e9critures ? Comment les a-t-on regard\u00e9es pr\u00e9c\u00e9demment ? Comment appr\u00e9hender ce corpus \u00e0 multiples facettes ? Quelles connaissances sur notre contemporain produisent l\u2019\u00e9tude de ces \u00e9crits de la ville ?<\/p>\n

Telles seront quelques-unes des questions qui seront pos\u00e9es \u00e0 partir de dossiers particuliers. Faire une histoire attentive \u00e0 des objets graphiques pour nourrir \u00e0 la fois notre perception du monde et celle des formes de cr\u00e9ation, tel est l\u2019objet de cette conf\u00e9rence.<\/p>\n

\n

Philippe Arti\u00e8res<\/b>, n\u00e9 en 1968, est historien, directeur de recherches au CNRS au sein de l\u2019Institut interdisciplinaire d\u2019anthropologie du contemporain<\/a> de l\u2019EHESS \u00e0 Paris. Ses travaux ont port\u00e9 depuis sa th\u00e8se de doctorat sous la direction de Michelle Perrot (1996), sur l\u2019histoire contemporaine de l\u2019\u00e9criture. \u00c0 travers une s\u00e9rie d\u2019\u00e9tudes, celle d\u2019un corpus d\u2019autobiographies de prisonniers, les archives d\u2019une entreprise parisienne de n\u00e9on, les affiches de l\u2019atelier populaire des Beaux-Arts de Paris en 1968, les billets des anarchistes des ann\u00e9es 1890, il s\u2019attache \u00e0 esquisser une histoire non litt\u00e9raire de l\u2019\u00e9crit,\u00a0celle de l\u2019inscription comme geste de subjectivation. Il a publi\u00e9 un ensemble d\u2019ouvrages dont La Police de l\u2019\u00e9criture<\/i> (La d\u00e9couverte, 2016), La Banderole<\/i> (Autrement), La vie \u00e9crite, Th\u00e9r\u00e8se Martin<\/i> (Les Belles Lettres, 2010).<\/p>\n","protected":false},"excerpt":{"rendered":"

18h \u2014 amphi A, isdaT beaux-arts Depuis la Commune de Paris, grand moment de d\u00e9sordre graphique, les \u00e9critures dans l\u2019espace urbain font l\u2019objet d\u2019une attention sp\u00e9cifique. Du tatouage exhib\u00e9 sur son corps par un passant, aux enseignes des magasins, jusqu\u2019aux mots laiss\u00e9s dans la cage d\u2019escalier, mais aussi en passant par les graffiti, et autres […]<\/p>\n","protected":false},"author":11,"featured_media":18174,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78],"tags":[17,58],"class_list":["post-18177","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-conference","tag-lecture-en"],"acf":[],"yoast_head":"\nLes \u00e9critures de la ville, conf\u00e9rence de Philippe Arti\u00e8res • isdaT<\/title>\n<meta name=\"description\" content=\"Philippe Arti\u00e8res est historien, directeur de recherches au CNRS au sein de l\u2019Institut interdisciplinaire d\u2019anthropologie du contemporain de l\u2019EHESS Paris\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, 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