{"id":14339,"date":"2018-03-05T17:31:31","date_gmt":"2018-03-05T16:31:31","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/fanny-beguery-adrien-malcor\/"},"modified":"2025-10-03T14:52:09","modified_gmt":"2025-10-03T12:52:09","slug":"fanny-beguery-adrien-malcor","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/fanny-beguery-adrien-malcor\/","title":{"rendered":"Fanny B\u00e9guery & Adrien Malcor"},"content":{"rendered":"

18h \u2014 amphi A, isdaT beaux-arts<\/p>\n

“Le dessin d\u2019enfant est un produit de notre civilisation industrielle.”<\/i><\/b>\u00a0R\u00e9flexions sur l\u2019enfant, l\u2019artiste et la machine (dans le cadre de <\/b>l\u2019atelier de recherche “Territoires du travail” de l\u2019isdaT beaux-arts).<\/b><\/p>\n

Il ne faut jamais oublier que la promotion du dessin \u00e0 l\u2019\u00e9cole publique, \u00e0 la fin du XIXe<\/sup> si\u00e8cle, ne fut pas le fruit d\u2019un quelconque “plan” pour la cr\u00e9ativit\u00e9 artistique individuelle, mais devait satisfaire les demandes de ce que Marx appelait la “grande industrie” (en main d\u2019\u0153uvre qualifi\u00e9e).\u00a0De m\u00eame, les premi\u00e8res \u00e9tudes scientifiques consacr\u00e9es au dessin d\u2019enfant, tout comme son exaltation primitiviste par les artistes modernes, doivent \u00eatre replac\u00e9es dans leur contexte sociotechnique, marqu\u00e9 par la transformation rapide des gestes du travail.<\/p>\n

En prenant appui sur les r\u00e9sultats d\u2019une r\u00e9cente exp\u00e9rience d\u2019atelier (voir Enfantillages outill\u00e9s. Un atelier sur la machine<\/i><\/a>, Paris, L\u2019Arachn\u00e9en, 2016), Fanny B\u00e9guery et Adrien Malcor essaieront de tirer quelques cons\u00e9quences de ces donn\u00e9es historiques.\u00a0La premi\u00e8re\u00a0: si “nos” enfants ne vont pas au travail, ils peuvent nous aider \u00e0 repenser les rapports du geste artistique avec l\u2019activit\u00e9 technique ou technologique \u2014 et de l\u00e0 les cat\u00e9gories dangereuses du primitif et du “spontan\u00e9”. L\u2019enjeu est cosmotechnique, donc politique.<\/p>\n

Fanny B\u00e9guery<\/b><\/a> est photographe et musicienne. Elle a conduit plusieurs ateliers photographiques avec des enfants (en milieux scolaire et hospitalier) et m\u00e8ne aujourd\u2019hui une exp\u00e9rience entre dessin, gravure et photo au coll\u00e8ge de Perthes, en for\u00eat de Fontainebleau.<\/p>\n

Adrien <\/b>Malcor<\/b> s\u2019est orient\u00e9 vers une pratique d\u2019\u00e9criture et de recherche au croisement de l\u2019histoire de l\u2019art, de la litt\u00e9rature et de la philosophie (il a notamment travaill\u00e9 sur les \u0153uvres de James Joyce, Charles-Louis Philippe et Gilbert Simondon).<\/p>\n

Fanny B\u00e9guery (n\u00e9e en 1984) et Adrien Malcor (n\u00e9 en 1981) sont tous deux dipl\u00f4m\u00e9s des Beaux-Arts de Paris<\/a> et membres du groupe RADO<\/a>. Enfantillages outill\u00e9s <\/i>est le r\u00e9sultat de leur compl\u00e9mentarit\u00e9. Ils vivent respectivement \u00e0 Aubervilliers et \u00e0 Montreuil-sous-Bois (Seine-Saint-Denis).<\/p>\n","protected":false},"excerpt":{"rendered":"

18h \u2014 amphi A, isdaT beaux-arts “Le dessin d\u2019enfant est un produit de notre civilisation industrielle.”\u00a0R\u00e9flexions sur l\u2019enfant, l\u2019artiste et la machine (dans le cadre de l\u2019atelier de recherche “Territoires du travail” de l\u2019isdaT beaux-arts). Il ne faut jamais oublier que la promotion du dessin \u00e0 l\u2019\u00e9cole publique, \u00e0 la fin du XIXe si\u00e8cle, ne […]<\/p>\n","protected":false},"author":11,"featured_media":46601,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78],"tags":[17,58],"class_list":["post-14339","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art","tag-conference","tag-lecture-en"],"acf":[],"yoast_head":"\nFanny B\u00e9guery & Adrien Malcor • isdaT<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.isdat.fr\/en\/programmation\/fanny-beguery-adrien-malcor\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Fanny B\u00e9guery & Adrien Malcor • isdaT\" \/>\n<meta property=\"og:description\" content=\"18h \u2014 amphi A, isdaT beaux-arts “Le dessin d\u2019enfant est un produit de notre civilisation industrielle.”\u00a0R\u00e9flexions sur l\u2019enfant, l\u2019artiste et la machine (dans le cadre de l\u2019atelier de recherche “Territoires du travail” de l\u2019isdaT beaux-arts). 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