{"id":13502,"date":"2018-01-15T14:55:44","date_gmt":"2018-01-15T13:55:44","guid":{"rendered":"https:\/\/www.isdat.fr\/programmation\/emilie-brout-maxime-marion\/"},"modified":"2025-10-03T14:53:55","modified_gmt":"2025-10-03T12:53:55","slug":"emilie-brout-maxime-marion","status":"publish","type":"post","link":"https:\/\/www.isdat.fr\/en\/programmation\/emilie-brout-maxime-marion\/","title":{"rendered":"\u00c9milie Brout &amp; Maxime Marion"},"content":{"rendered":"<p>18h \u2014 amphi A, isdaT beaux-arts<\/p>\n<p>&#8220;La signification de la valeur dans une \u00e8re post-quelle-qu\u2019elle-soit, l\u2019abondance en masse d\u2019images \u2014 de la production aussi bien amateur que professionnelle aux images g\u00e9n\u00e9r\u00e9es algorithmiquement \u2014 et le d\u00e9placement de l\u2019artiste de la production \u00e0 la post-production, et de la cr\u00e9ation d\u2019\u0153uvres \u00e0 la g\u00e9n\u00e9ration de formats, sont tous des th\u00e8mes r\u00e9currents dans le travail r\u00e9cent d\u2019\u00c9milie Brout et Maxime Marion. Depuis 2009, le duo fran\u00e7ais s\u2019est concentr\u00e9 sur des projets qui, r\u00e9inventant le langage moderne du film, r\u00e9emploient et s\u2019approprient largement des contenus du web. Les lib\u00e9rant de leur statut de donn\u00e9es apparemment insignifiantes et d\u00e9nu\u00e9es de valeur, ils les r\u00e9arrangent en dispositifs complexes et narratifs, parfois g\u00e9n\u00e9r\u00e9s algorithmiquement, ou encore en de puissantes images iconiques.&#8221;<br \/>\nDomenico Quaranta,\u00a0<em>AFK. Texts on Artists 2011 &#8211; 2016<\/em>, 2016, LINK Editions, Milan.<\/p>\n<p>N\u00e9s en 1985 et 1983 en France, <strong>\u00c9milie Brout<\/strong> et\u00a0<strong>Maxime Marion <\/strong>vivent et travaillent \u00e0 Paris. Ils\u00a0sont dipl\u00f4m\u00e9s de l&#8217;<a href=\"http:\/\/www.ensa-nancy.fr\" target=\"_blank\" rel=\"noopener\">ENSA Nancy<\/a> et de l&#8217;<a href=\"http:\/\/www.ecole-art-aix.fr\" target=\"_blank\" rel=\"noopener\">ESA Aix-en-Provence<\/a>. Ils ont particip\u00e9 deux ans \u00e0 l&#8217;<a href=\"http:\/\/www.ensad.fr\/recherche\/ensadlab\" target=\"_blank\" rel=\"noopener\">ENSAD Lab<\/a>, o\u00f9 a d\u00e9but\u00e9 leur collaboration. Leur travail a \u00e9t\u00e9 laur\u00e9at des prix Arte Laguna et Talent Contemporain de la fondation Fran\u00e7ois Schneider.\u00a0Il a \u00e9t\u00e9 inclus dans la 5<sup>th<\/sup> Moscow Biennale for Young Art, la 5<sup>e<\/sup> triennale de l&#8217;ADIAF et a \u00e9t\u00e9 notamment expos\u00e9 et projet\u00e9 dans des lieux incluant : Daegu Art Museum ; Seongnam Arts Center ; AramNuri Arts Center, Goyang ; Untitled Miami Beach ; OCAT Shenzhen ; Art Brussels ; Museum of Modern and Contemporary Art of Rijeka ; Loop Barcelona ; Centre pour l\u2019Image Contemporaine, Gen\u00e8ve ; The Solo Project, B\u00e2le ; Telecom Italia Future Centre, Venise ; Palais de Tokyo, MAIF Social Club et Centquatre, Paris ; Cit\u00e9 de la c\u00e9ramique, S\u00e8vres ; Villa du Parc, Annemasse ; Villa Arson, Nice ; Fondation Vasarely, Aix-en-Provence. Expositions personnelles r\u00e9centes et \u00e0 venir : galerie 22,48 m\u00b2, Paris ; LINK Art Center, Milan ; galerie Steve Turner, Los Angeles ; Villa du Parc, Annemasse.<\/p>\n<p>\u2718 <strong>exposition<br \/>\n<\/strong><em><a href=\"http:\/\/www.pavillonblanc-colomiers.fr\/agenda\/node\/profils\" target=\"_blank\" rel=\"noopener\">Profils<\/a>, a<\/em>vec \u00c9milie Brout &amp; Maxime Marion, Elsa Parra et Johanna Bena\u00efnous, Pauline Zenk, Jean Boite \u00c9ditions,\u00a0du 3 f\u00e9vrier au 12 mai 2018, <a href=\"http:\/\/www.pavillonblanc-colomiers.fr\" target=\"_blank\" rel=\"noopener\">Pavillon Blanc, M\u00e9diath\u00e8que Centre d\u2019art de Colomiers<\/a>.<\/p>\n<p>\u2718 <strong>rencontre avec les artistes<br \/>\n<\/strong>Samedi 3 f\u00e9vrier 2018 \u00e0 11h,\u00a0inauguration de l\u2019exposition \u00e0 12h.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>18h \u2014 amphi A, isdaT beaux-arts &#8220;La signification de la valeur dans une \u00e8re post-quelle-qu\u2019elle-soit, l\u2019abondance en masse d\u2019images \u2014 de la production aussi bien amateur que professionnelle aux images g\u00e9n\u00e9r\u00e9es algorithmiquement \u2014 et le d\u00e9placement de l\u2019artiste de la production \u00e0 la post-production, et de la cr\u00e9ation d\u2019\u0153uvres \u00e0 la g\u00e9n\u00e9ration de formats, sont [&hellip;]<\/p>\n","protected":false},"author":11,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[78],"tags":[17,58],"class_list":["post-13502","post","type-post","status-publish","format-standard","hentry","category-art","tag-conference","tag-lecture-en"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.8 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>\u00c9milie Brout &amp; 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